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Re: [ATM] Turntable and weight
I like your cleaning method. It is much the same as mine, but I also use
soap.
After each figuring session I wash the mirror with soap (something like
Ivory) and room temperature water spray, measured with a thermometer, to
avoid as much as possible changing the temperature of the glass. I rinse the
lap also with the spray to remove spent "whatever oxide" and glass slag. I
use bare washed hand and soap to wash the glass. I try not to let it dry but
if whatever oxide has dried it washes off with the soap. I like using my
hand because I can feel if something is between my hand and the glass that
might scratch and I can feel if the glass is clean. If I am in a hurry to
test I will blot the water off. If not I might just put it on the test stand
and let it run off and evaporate. A paper towel contacting the very bottom
point on the mirror will wick the water off quickly.
By avoiding large temperature changes, in early figuring I can test right
away, decide what to do and get the mirror and lap back together in about 30
minutes. Many times 10 minutes is enough to see what I want to do and get
them back together. Then press for a half hour or so and figure again. When
the figure gets into the ballpark, somewhere around 1/4 wave, testing starts
becoming more tedious. When the shape gets really good it might spend all
day or even more on the test stand.
I believe you are right that there are multiple causes of lap pattern
printing to the mirror. I have had the lap print to the mirror from machine
polishing in a very regular way for too long a time but that is really
polishing it into the glass. What you say about the gouges is true. Gouges
along tangents spaced somewhat evenly around the mirror can intersect one
another in regular intervals creating patterns.
Like you I believe the glass slag might be more the problem than the
polishing agent. One reason I rinse the lap is to get rid of the slag
because it does seem to stick to the mirror more firmly than the polishing
agent alone. And why press it into the lap anyway?
I have many times allowed the lap and mirror to dry together without having
problems.... except for separating them. Squirting some water into the
channels and letting it soak in a bit before attacking with the handy
carpenter clamp will get it moving though.
I have used much more rouge than Cerium oxide, so maybe I haven't done
enough cerium yet to have trouble. I have heard others describe a blue haze
from cerium oxide that went away after leaning the cerium/water mixture.
Jerry
-----Original Message-----
From: Mike Lockwood
Hi,
Jerry wrote:
> That was some ugly mirror. Is it aluminized? I don't know if that
> is etched.
Can't remember if that Cave mirror was coated or not when I took those
photos.
> I can think of other possible explanations. Hot pressed before
> figuring? Etched is as good as any I can think of though. But I
> have to think of how to explain why I don't have that problem and I
> take no special means to avoid it. At least I don't think I do.
I think there are several phenomena at work here involving roughness.
First, there is bad contact - this results in "gouges" in the surface
when examined under the Foucault test. These tend to be fairly random
in pattern, but can be regular in form if they are due to one bad facet.
Second, there is "etching" as it has been called. I believe this
happens AFTER polishing is done, when the mixture of glass/Cerox/water
sits on the surface, eating away at the glass under the facets. This
could be related to warmed pitch or glass. In hundreds of presses on
many mirrors, I have never seen this result from cold pressing BEFORE
polishing. (However, something like this could result if the
cerox/water dried out, and the lap was stuck to the surface and had to
be removed with lots of force.) I don't know the chemistry involved,
but the observed results seem clear to me - don't leave the lap on
after polishing, remove it immediately and rinse the mirror.
Third, there is leftover polishing residue left on the surface. This
either results from incomplete washing after polishing, or from
allowing the polishing solution to dry on the mirror before it is
rinsed. Both must be avoided at all costs, especially during the last
steps of figuring, or you will have cerium residue on your finished
mirror!
> I figure using a full size lap and for local correction accented
> pressure. So even for working a single zone the lap still works the
> entire surface. Maybe that is why I don't have a lap print. I could
> be wiping it off.
More likely, you are cleaning up properly.
1) When I conclude polishing/figuring, the first thing I do is spray
extra water on the surface of the mirror to prevent it from drying.
Drying can happen VERY FAST if you are working with a thin polishing
mixture with little water in order to speed up polishing. If the
surface dries without rinsing, Cerium stains will be left on the
mirror, removeable only by more polishing. These stains WILL throw
off Foucault readings, and are often invisible to the eye. However,
they CAN be felt by running a clean palm across the mirror.
2) After wetting the surface to buy time after polishing is concluded,
I put aside the lap and rinse the mirror. I use my hand to actually
wipe the surface of the mirror. I find this is NECESSARY to remove
all the residue, and a soft cloth or paper towel could be used instead
of a hand. For some reason, this physical wiping of the surface is
needed to help remove the remaining residue.
3) After rinsing, I wipe the surface dry with a clean towel, and use
the palm of my hand to remove any remaining lint/dust. In doing this
I can also feel if there is any remaining residue via the friction
between my hand and the polished surface. This procedure leaves a
bright, clean polished surface that will produce accurate Foucault
test readings.
Maybe someone else can suggest a better cleaning procedure that is
less work?
Mike Lockwood
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