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Re: [ATM] Open Question Concerning Pitch Laps
Mike,
Mike Lockwood wrote:
> Jonathan,
>
> Jonathan Bishop wrote:
>
>> So I think we agree that to get back a spherical figure a hard lap
>> will work better.
>
>
> Yes, but we want a parabola. A sphere is NOT a necessary step in
> gettting to a parabola. Its importance is overstated in the
> literature (okay, that's my opinion after making 20 mirrors). Once
> the mirror is polished out and has a good edge and no serious zones,
> parabolization can (and should) begin, and the mirror maker should be
> comfortable with testing at this point.
Actually, I really agree with you. I've always been surprised how people
can parabolize with a full sized lap. Never had much luck with that. I
seem to be able to get within 1 wave or so but then have a hard time
controlling more precisely the results.
>
>> I know that most advanced ATMers will find that a little tedious, but
>> for the beginner it is probably a good approach. In Bryan's case he
>> actually went back to fine grinding to get to a sphere as he could
>> not get there with his current setup, no matter what he tried. I was
>> often tempted to do that myself until I switch to harder pitch.
>
>
> Here's what I'm getting at - not getting a sphere with medium softness
> pitch is a symptom of a technique problem. If that problem isn't
> isolated, the lap may NEVER act like it should, no matter what the
> hardness or technique. There will always be unanswered questions.
What technique problem do you think Bryan had? Is there any lap which
you would consider too soft or too hard? I know many have build pitch
hardness testers to measure this. Or is what you are say is that there
is a large range of pitch hardness which is workable?
>
>> I am sure many other beginners went the same route as Bryan. I blame
>> this on the soft pitch, but probably the more advanced polishers
>> could have dealt with that in some other way than hardenning the
>> pitch. From what I saw all the advice that he was given did not help
>> him though.
>
>
> I'm not sure we (list members) asked enough questions before Bryan
> went back to grinding. (We tend to jump to our own conclusions.)
> That's why I came up with that giant list of questions. I even missed
> a few - I didn't ask about polishing speed. Others made good points
> about the laps getting "crusty" after use.
>
> Seems like a standardized list of questions would save time. The
> problem is, everyone's results can be unique.
>
>> On the more realistic side one nice thing about subdiameter laps is
>> that the figure changes really slowly provided of course that you use
>> light smooth strokes and maintain good contact. I know a lot of
>> people have steered away from this approach, but it worked for me. I
>> find it easy to understand. Simply polish where you want to remove
>> glass.
>
>
> In large mirrors, subdiameter laps are often used to add correction,
> rather than just tweak zones. They are necessary for mirrors of
> faster focal ratios. The rules get much more complex when you're
> working strongly non-spherical surfaces.
Exactly where I am heading!
>
>> BTW, are you saying that the sub diameter approach will get easier
>> for large mirrors? That's good to know. So first I made a 4.25 and
>> then an 8, for wich I used the 4.25 lap. Next I think should be 12 or
>> 16, for which I can use both my 4.25 and 8 laps. Then for 32 I use...
>> Seems like a nice progression!
>
>
> Go for a 16" - the 8" lap will come in handy. Hopefully you won't
> need the 4.25" lap. I made a 16" F/4 with just an 8" lap for
> figuring. I learned tremendous amounts on that mirror.
Great to know. I have gotten out of the ATM mood for a while (new job,
family, etc...). A nice 16" blank would be pretty tempting! F/4 would be
pretty challenging. You probably chose that to make it shorter. What
type of glass did you use? Thickness?
>
> Bryan, if you're still listening to all of this, you're hearing some
> differing viewpoints. We'll help you through the figuring process no
> matter what route you take. I still recommend sticking (no pun
> intended) with the pitch that you already have.
>
> Mike Lockwood
>
>
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>
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