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Re: [APML] Fw: images
Hi Carlos,
>
> >In practicality, the finest grain films are limited to about 5
> >- 6 bits and most color films are about 4 - 5 bits.
> Here is where I desagree with you. Due the nature of the film media I
> am convinced that we have more colors (or gray steps) than 6 bits.
I'll repeat what I said before. 6 bits per channel is 262,144 possible
colors. You won't see the difference between that many and 16.7 million
possible colors in any one image.
> For all practical ways a photograph of a continuom gray gradient
> indeed looks continuos... and the human eye needs a little more of
> 7bits to see that.
That's probably true in viewing the real world but not a monitor or a
print.
> Anyway, due the human eye's limitations, the scanning process, the
> monitos, etc. I think that you have a strong bias in your medition...
> that makes appear the film's "bit deph" worse than it is.
Perhaps, but compare my 10 bit image example to any astrophoto.
> Just a final thought... if film can handle only 5-6 bits, why do we
> have 16bits scanners? Why not just 8bits ones?
Marketing! Sorry, I couldn't help but be cynical. ;-) Really though, my
old SprintScan 35ES which scans in 10 bits and outputs in 8 bit is
quite adequate except the Dmax it can handle isn't high enough.
> PS: Photoshop is a nasty program... as Vicent said, it destroys the
> data. I don't trust the ways it works. Just make a gaussian blur,
> you'll see steps in the gradients.
I tried it. I made a continuous gradient from black to white and
performed a guassian blur. No steps here. It is very smooth at any
pixel setting of the blur.
> Also there is a problem with the monitor's capabilities of displaying
> the data. Even if you have a continuos (at >16bits) gradient you'll
> see some steps.
No monitor I know of is capable of displaying 16 bit grayscale. As I
said above, I have no steps in a continuous gradient. Maybe you have a
hardware problem?
Chuck
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