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Re: [APML] TP for terrestrial work
At 19:58 7/9/02 -0700, you wrote:
>I've been trying to use Technical Pan in a Pentax 67II camera
>on terrestrial subjects to get the kinks out of the process
>before moving into celestrial work.
-snip-
Tech pan is strange stuff, and not only do most labs not knwo how
to process it, but most people don't knwo how to shoot it daytime or
nighttime.
Also, most commercial labs will butcher tech pan processing. heck
most labs cannot even process any plain old B&W film anymore, let alone
tech pan. Mind you, I am biased, as I do cusotm processign for a fee, so i
am not totally indifferent here.
Anyhow, to processs tech pan, dyatime shots, at home, do the
following...
1) expose at 25 ASA/ISO.
2) use a spot meter, or meter off the shadows in your daylight
scence, and expose for the shadows. When shooting colour film in
dyalight, you use and incident light meter - you meter the "light in the
air" so to speak. But for any B&W film, you meter the light *reflected*
off a surface, not the incident light. Metering incident light will always
underexposre your B&W film. Never worry about over exposing B&W film, I
find almost every brand of B&W film works best overexposed and then you
compensate for development. Example, I'll shot Tri-X at 100 and 200 ASA on
a regular basis.
3) Do not use D-19 for daytime shots, it is a vey high contrast
developer,a nd almost any B&W film will come out lookign liek lithographic
film. stay away form HC-110 and tech pan too, it can be done, but I do not
like the results.
4) Use technidol for extremely fine grain - such as repro work,
but plain old D-76 or Xtol will work fine on tech pan
5) follow the agitation instructions carefully with tech pan
6) wheever possible, use distilled water for your developign
solution. Developers are constantly being reformulated a little bit here
nad there - or so it seems to me - moslty to comply with envirmental
standards, etc. I find variations in the quality of tap water plays havoc
with soem developers. Xtol is horrible that way. So use distilled water
to mix up your base developer - this includes your D-19 and hypered tech
pan. It just removes one more variable form the entire processing system,
and allows greater consistancy.
That's about it. It is neat stuff. Finally, because of the
extended red sensitivity, tech pan has a different look to it than say
Tri-X or HP5. That is part of it's charm
joe
http://www.oneilphoto.on.ca
http://www.multiboard.com/~joneil
"Una salus victus nullam sperare salutem"
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