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Hi Walter:
2 stops at 100 sec signifies serious
reciprocity failure. If it was equal across the 3 layers, it wouldn't be so bad,
you could compensate by increasing exposure more. Unfortunately, it is rarely
equal and as a result, as in the examples on my webpage, the color balance gets
horribly skewed.
Bert
----- Original Message -----
Sent: Monday, 25 August, 2003 3:10
PM
Subject: Re: [APML] Agfa Optima Prestige
film
The AGFA data sheet actually does show some reciprocity info, up to 100
seconds exposure. With this film it calls for an adjustment of +2
f-stops.
Walter Willis Life without chocolate is too terrible to
contemplate
----- Original Message -----
Sent: Monday, August 25, 2003 2:57
PM
Subject: Re: [APML] Agfa Optima
Prestige film
-----BEGIN PGP SIGNED
MESSAGE-----
>>>>> "Bert" == Bert Katzung <katzung1@comcast.net>
writes:
Bert> I've never used Optima Prestige,
but recommendations of Bert> daylight
photographers, professional or otherwise, are Bert>
generally worthless for astro applications. The
reciprocity Bert> characteristics of films are
generally unknown to them (and Bert> sometimes to
the manufacturer as well, when it comes to 1 Bert>
hour exposures) and reciprocity is critical for our stuff.
As a small
footnote to this, I recently picked up a book on large format
photography. Interestingly enough, it has a set of charts showing
reciprocity adjustments for a large number of films. The chart only
extends to about 120 seconds (nominal, the adjusted exposure may be much
longer). So *some* professional photographers are at least aware of
the problem. Too bad Kodak, Fuji, Agfa, etc. don't publish similar
charts....
regards,
roland - --
PGP Key ID: 66 BC 3B CD Roland
B. Roberts,
PhD
RL Enterprises roland@rlenter.com
6818 Madeline Court roland@astrofoto.org
Brooklyn, NY 11220
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