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Re: [APML] Again: Meteor Photography
Philipp,
It's probably going to be tough to get answer to what is the film with
*worst* reciprocity failure, because not unnaturally, people are generally
be looking for films with reverse characteristics. From recent
recollection, I think that Kodak Portra was one of the worst films that has
been tried. I believe that the reciprocity characteristics were rather
poor, and also its Ha response was almost non-existent. This will not
matter for meteor photography because the light would be predominantly
broadband. I believe that this film would record rather less sky fog than
most. Also I tried a Konica 400 film a while ago and found that it had
rather poor recording characteristics.
Personally I would be inclined to use the new Fuji NPZ 800 (which is a
replacement for NHG II 800). I was impressed by this film - although its
short term recording characteristics are very good, I found that it tailed
off on longer exposures (unless the film is hypered) and I doubt that it
would pick up as much sky fog on long exposures as one of the Kodak
"classics" such as PPF. I have seen some wonderful meteor photos taken
with its predecessor, NHG II 800, and I think that NPZ 800 would do just as
well, if not better.
--Philip
At 14:29 02/08/02 +0200, you wrote:
>Hi Brian,
>
>Provia 400 has quite good reciprocity failure characteristics. I want to
>expose as long as possible to catch as many as
>meteors as possible. A film with bad reciprocity failure allows much
>longer exposure before the sky-background becomes
>too bright. The meteors expose themselves only for a very short time, so
>you donīt need good reciprocity failure
>characteristics for them...
>
>a good film for meteor photography is NOT a good film for deep-sky work
>
>Any experience with the "improved" Fuji 800 color-negative?
>
>with best regards
>
>Philipp Salzgeber
Philip Perkins - philip@astrocruise.com
Wiltshire UK & Luberon France
Astrocruise - http://www.astrocruise.com
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